the release of a full length gary martin album on motech records serves as a culmination of vision for the label. originally inspired by martins teknotika records imprint, now some 20 years later, motech records has aged into the perfect outlet for his latest full length release, escape from south warren.

from a festival to a feature to friendship, from techno to electronica to a band. in this manner towards twitter compatibility, one may describe eating snow s previous path, which has really just begun for douglas greed and mooryc, with only few characters. the two of them met in 2010 at a festival in poland, only shortly afterwards the joint tracks -pain- and -morning gloria- developed, which can be listened to on douglas greed s debut album krl. however, dougi and mooryc weren t just in tune with each other quickly, they also automatically arrived at a common sound despite their different musical roots, which ranges from sensual indietronica to powerful house right up to perfectly grooving pop moments.

the latest release by the parisian label is thanks to a fluke find by an antinote family member, who by pure chance, unearthed an unreleased guitar and synth musical jewel from italy circa 1984. an until now unknown collaboration between a guitar maestro, composer of contemporary dance scores with a gifted electronic music composer. cd version with bonus track- big tip!

celebrating 50 years of a british broadcasting legend with an eclectic 3 cd journey. incl. the who, paul mc cartney, the chemical brothers, the prodigy, primal scream, joy division, blondie, tini tempah, moby and more

welcome back to the movielike resonating sound world of the 23s. already in 2008 the mysterious one-man band proofed with the album ÒboliviaÓ that they are trying to do another kind of music Ð something that isnÕt entertainment, something that isnÕt show, something that goes gently straight to your soul. now the producer from nord-rhine-westphalia did it again and tuned in the longplayer ÒflamingoÓ. anew he delivers a special kind of cinematic journey music that grooves opposite to his other, more rhythm based hypnotic dance productions. also as the 23s he produces pattern-based music, but it pursues a different intention: each listener should dive into a hallucinatory world of seen and unseen films that his inner eye creates unprejudiced. all ten tracks are romantic smooth operators. they put themselves in service of an artistic vision, in which the listener should get lost in music. the album can be seen as a love-letter to the movie scores of the french 70s cinema or the impressionistic sound arrangements you can hear in the early cinema of peter greenaway. with double bass heat, discreet piano melodies, levitating guitar chords, some gentle horns here and there and beats that recollect the warm jazz influenced soul of oldschool hip-hop the 23s generate a sublime get-down-deep instrumental journey. you can listen to it attentive. or you can just play it in the back while doing whatever you like to do. it is recommended to play ÒflamingoÓ in a decent amount of volume as all loungey tracks begin to live bigger and brighter with sound intensity. if you play it flashy you will experience an atmospheric sometimes light-flooded, sometimes foggy 40-minute electronic journey that offers open-minded souls to fill the room between the notes with their very own milky fancy. soon the album will be accompanied by a bunch of remixes tuned in and twisted by producers like giegling and white artists edward, christian s of the c—meme tribe, canadian producer the mole and the german post rock and electronic music band to rococo rot.

over 10.000 years ago, after the last ice age, humans began to explore and settle the place now known as scotland. evidence of our ancestors can be found in the various rock carvings, standing stones, tombs and dwellings still scattered throughout the lands today. modern archaeological techniques can offer ever more detailed suggestions as to what these monuments might have meant, but it is still largely left to our imaginations to discern just what these spaces were used for.

gerade rechtzeitig zum saisonauftakt auf der beliebtesten partyinsel europas bringen wir ibiza clubhits/summer 2015. in einem fetten dj-mix auf 2cds werden die besten und topaktuellsten house-hits gefeatured, zu denen auf den dancefloors der insel abgefeiert wird. robin schulz, laidback luke & tujamo, mike candys, hardwell und milk & sugar, sie alle sind auf dieser compilation vertreten!

more late 70s westcoast yachtpop you can almost dance to.

auf why make sense kombinieren hot chip clever indie pop, rnb, house und disco-funk und veršffentlichen ihr bis dato spannendstes album! hot chip gehšren seit jahren zu den aufregendsten und kreativsten formationen der britischen musikszene. ihr atemberaubender mix aus hei§blŸtigen indiepopsongs und treibender elektronik verhalf dem neuen genre indietronic zu internationaler aufmerksamkeit. ihre singles und alben werden von veršffentlichung zu veršffentlichung erfolgreicher. nominierungen fŸr den grammy und den mercury prize untermauern ihre ausnahmestellung ebenso wie hohe chartplatzierungen. aufgenommen wurde der nachfolger von in our heads in oxfordshire und london, produziert wurde von der band selbst mit verstŠrkung von mark ralph.

deluxe 2cd digisleeve 3 panels with 24 pages booklet - all 3 studio albums and the singles/outtakes sample on one 2cd

the trained pianist max loderbauer, together with ricardo villalobos, has just breezily launched the jazz sanctuary of the munich-based ecm records into the ether as re: ecm. on the new adventure he now logically again finds himself working with sanctuaries. for the tool he uses for creating worlds is the finest modular synthesizer in the world, the buchla 200

all good stories need a context. named after the multitalented artist who used to operate at the bauhaus in dessau, Èmarianne brandtÇ is the omnidirectional long length debut of alex ketzer, the respected designer behind noordenÕs artworks as well as a talented musician on the rise. ketzer recorded in a room at the dessau structure for a few days, meticulously crafting a piece that sounds like a conversation between history and future, audio and visual, bridging the gap over a century of creation in one of the epicentres of the highest form of artistic production in europe. and now inviting electronic music to its table.

a unique 3cd journey through the mind of a hous music icon.incl.tracks by mood 2 swing, joe t.vanelli, masters at work, the doobie brothers, saint etienne, mk, kenny loggins, christopher cross, ian pooley, chicago..

how much do you really know about nina kraviz? shes a russian techno dj, an accomplished producer, one of dance musicÕs breakthrough names of the last five years. true enough, but theres so much more to her story than that. shes one of electronic musics most interesting characters, someone who has stuck to her musical guns since day one, someone who has wide-ranging roots that run deep in the past, yet shes also the embodiment of the future. her signature sound is a raw blend of house and techno with a very acidic feel. if that feels very now, kraviz has a lot to do with it, which is why she was asked to mix the latest instalment of !k7Õs landmark Ôdj kicksÕ series.

limited edition unmixed cd dj format! the worlds most profilic producers.the classics that built a scene..feat.american dream, backfired, cant get high without you, whishing you, ride the storm, must be the music.. and many more

in recent times, phantasy have provided the soundtrack for many adrenaline fuelled nights and hazy mornings with critically acclaimed albums from daniel avery (drone logic) and connan mockasin (forever dolphin love & caramel). their latest discovery ghost culture emerges from the shadows to make the space between those two worlds his own. since announcing his arrival one year ago with a debut single mouth, the london based artist has built up a feverish following with a further pair of ear catching singles. this trio of sell-out releases, each pressed on invisible vinyl, offered a glimpse of a rare talent whose music was just as at home in the club as it was in ones bedroom. now phantasy, are proud to present his self titled debut album, a collection of ten tracks rich in emotion, musicality and sonic artistry.

gary -slim- moore ist kanadischer soulsŠnger mit wurzeln in jamaika. in den 90ern traf er erstmalig auf die mar-keys ohne das aus der verbindung aufnahmen entstanden. die gruppe feilte in der zwischenzeit an ihren fŠhigkeiten und spielte mit soul-koriphŠen wie gladys knight, the temptations oder the coasters, und einige mitglieder grŸndeten das souljazz orchestra projekts. seit 2007 erschienen bereits drei alben auf do right!

soul safari started as a blog to showcase the music of africa with a strong emphasis on south africa. now in its 6th year, soul safari is proud to present the third volume of the compilation Ôtownship jive & kwela jazzÕ, a collection of rare gems originally released as shellac 78Õs in the period 1960-1965 in south africa. on this third volume the selection features the gorgeous close harmony vocal groups singing in the tradition of american r & b and doo wop. but always with that typical south african swing and sung in the zulu or xhosa languages.

the records fundament are slow, powerful beats which hold everything together springintgut has been responsible for the studio production at most times while f.s. blumm, experienced for years in making radio plays, has handled the mixing and collaging of the parts. the bird and white noise invites to join the travels, and in its long arches and bridges it can easily be listened to as a whole. while the opener or eskimono feature the rather lyrical side of the duo, tracks like land ab neu or chitin set more punchy priorities to a heavy bass and 808 drums. chitin is a late climax of the album, building up for minutes to a massive groove in an insect-like, abstract sound world, leaving just enough space for romantic cello lines to break through in the middle. the record has been released exclusively in japan for the duos tour in april 2014 via pingipungs partner label nightcruising in kyoto. pingipung now releases the lp version and the cd worldwide

emotional rescue is proud to present the first ever collection of works from spanish song writer javier bergia. as a member of finas africae his name is finally coming to prominence. now with this selection of his music from 1985 to today, the depths of his acoustic, folk and balearic writing can be heard. born in madrid in 1958 to a family steeped in both classical and spanish traditional music, javier s unique mastery of guitar, percussion, voice, poetry and composition is drawn from both this grounding and upon his lifelong musical inquisitiveness . since 1980 he has been an integral part of the ancient music group atrium musicae . in 1984 he founded, with juan alberto arteche and luis delgado, the groundbreaking group finis africae as a sonic investigation into a fusion o f diverse ethnic musical forms incorporating both indigenous instruments and electronic elements. as a solo artist, his career blossomed when, in 1985, he recorded his first lp, the acclaimed recoletos and he has since recorded thirteen solo albums . with luis delgado he recorded the now classic album la fl or de piedra under the name ishinohana and regularly appears with singer ismael serrano. javier has composed music for and collaborated on many documentaries, films and advertisements as well as collaborating on protects with a myriad o f artists including maria del mar bonet, joaquin diaz, vainica doble, marina heredia, pablo guerreo, antonio vega and cafe del mar. today he participates in the sephardic music groups halilem and alquibla , as well as diverse alternative chamber music groups. javier works around the world as composer, arranger and producer and he appears daily with manolo hh on radio nacional de espana.

industry sheds all personalized effort and tests how far you can get by using presets only. all sounds are factory presets of 3 obsolete 1990s japanese workstation synths, all effects are presets, all notes are quantized and most panning is purely accidental (laid out in the preset sounds). industry doesnt rely on successful presets, but on failed sounds of now obsolete synthesizers - industrial assumptions of where culture will go, but where it chose not to. the result is a surprisingly pleasant listening experience with effortless grooves and rich textures - and mildly demonic connotations. from smooth to kicking - a conveyor belt enjoying mood swings. as beautiful as the scheduled meeting of a pvc sheet and a thermoform mould on a workbench

a dying planet..encapsulated by those who killed it. filled with wandering souls and ancient technology, a way out emerges. a utopian star, an escape, the anarchostar.
the anarchostar is a psychedelic science fiction universe and the sophomore album of the american electronic composer and futurist distal. the anarchostars story acts as a conduit for the music, each release is a different part of the mythos surrounding the label narrative.

2 cds zum preis von einer! some tracks are unreleased and exclusively produced for this double album!

remastered double cd edition of intrusions now-classic, the seduction of silence, named and nominated one of the best albums of 2009 in numerous magazines and honorable mentions in the wire, mixmag, dj, xlr8r, textura, urb, go, de-bug, groove, and plenty more. this double cd edition includes never-before-heard songs, outtakes and b-sides to sweeten the deal, none of which were found on the first physical release.

** limited nice price summer action **
dapayk s full-length album on 2xcd! confirming his way of production dapayk >... always manages to walk the line between really rough experimental sounds and nice quirky functional funk, and this album is no different.< (butane) the album cd is completed by the bonus disc >divine parts of a godless life< with 14 new tracks of cute minimal electronica, a musical expression of him that has not been released on cd up to now

on moving to canada from his original home of haiti, pianist and singer/songwriter henri-pierre noel brought with him much of the tropical island s influences. the kompa funk sounds of his homeland, along side contemporary north american jazz and disco, ran throughout henri s 1979 album piano, re-released by wah wah 45s in 2012, and now its time for a second helping with the re-issue of 1980s dance floor friendly one more step, both albums having been originally released on very limited private presses and since become holy grails of the back music scene.

incl. tracks by mike candys, hardwell, cascada, jean elan, bryce, tujamo, armin van buuren, michael mind project uvm

in the past he has been dubbed -the godfather of the ibiza anthem- but chicane mastermind nick bracegirdle has come a long way since the sun drenched balearic shores first throbbed to the sound of what is now recognised by many as the archetypal chill out classic offshore . with over 15 top 10 s, a no.1 with bryan adams and with over 2 million compilations under his belt - there are not many dance artists who can claim to have hits over a 10 year period. chicane was later cast further into the public consciousness in 1999 with the release of the epic saltwater which featured maire brennan of clannad. then in 2000 with the number 1 smash hit don t give up featuring the gravely vocal tones of legendary rocker bryan adams, nick found himself a regular fixture on radio. the release of his second album behind the sun followed reaching the top 10 and becoming a major success across europe

cocoon ibiza turns fifteen! finally, its summer and we cant wait to pack our bikinis and flip-flops again for our annual trip to the island

the histories of bbe music and the southport weekender have intertwined since day one. the first release on the label, stop & listen volume 1, was compiled by dr bob jones, the venerable uk selector who was for many years an integral part of southport s core of resident djs who helped shape the sound of the weekender scene.

niko schwind now presents the fruit of his labour in the from of his third album: grippin world captivates the listeners with its versatility and coherence, and kidnaps them to a world of sound, made up of elegantly reduced grooves, organic arrangements and accessible vocal-melodies.

pettersen of norway is the joint force of vegard lil wolf dyvik & christian steenstrup. well known on the norwegian house/techno/disco scene, of norway is now building their name internationally, with releases and remixes on esteemed labels such as connaisseur, darkroom dubs, hope and soma, to mention a few. the duo regularly gains praise and is featured on playlists and charts from a wide variety of djs, including seth troxler, ame, john digweed, lee burridge, jimpster, joris voorn, joel mull, maceo plex, soul clap, kiki, hot chip, maetrik, jori hulkkonen

after the announcement of kerri chandlers the watergate files ep, which also includes a remix of our agencies and labels recent addition la fleur, she attends to be in charge for our 16th watergate compilation. with 15 tracks, including 6 exclusive ones, the swedish producer and dj gives proof of her skills on 78 minutes playtime. her musical spectrum extends from old house-classics to contemporary techno-pearls - mixed with love and intuitive feeling.

behind the reset robot project is dave robertson, a producer who has released standout singles on labels like dogmatik, intacto and adam beyers truesoul imprint over the past 5 years. now he steps up with his debut album, the stunning let your soul outside.

kink spent years of backwards-engineering the sounds of detroit, chicago and early warp. tweaking whatever software was available, he learned all the sideways possibilities of hacking into the sonics of analog classics with the beauty of digital degradation: alias noise, bit crush, noisy fft grains - his one-of-a-kind results electrified dance floors all over the world ever since. now, all the elements of kinks live sets have been bundled like a laser beam in his debut album

the very best of deep house and & garage!feat. clean bandit, disclosure, julio bashmore, dusky, route 94, gorgon city, hot natured, shadow child

schneeweiss iii: a collaboration of neighbours. over the years, oliver koletzki has continuously cited berlin as a point of reference and, more importantly, a source of inspiration. two of his albums - gro§stadtmaerchen and gro§stadtmaerchen 2 - have been a direct ode to the capital. friedrichshain, one of berlins vibrant districts, has always held a special place in olivers heat. this is where he started out when he first moved to the city, and this is where he lives now.

georgie fame ist eine britische r&b-legende. er hat in seiner 50-jaehrigen karriere mehr als 30 alben und 13 hitsingles veroeffentlicht, sein bekanntester hit ist >the ballad of bonnie and clyde< nr. 1 in uk im jahr 1968.

theres a common thread that runs through all of brandt brauer fricks music. it is this: interesting things happen at the interface of machine and hand-made music. the berlin trios 2010 album, you make me real, fused techno and classical. the 2011 follow-up, mr machine, saw them go the whole classical-meets-club hog with a ten-piece ensemble playing dance music live. then, earlier this year, came miami, a darker, more song-based collection exploring the same man-machine ideas.

counting almost three years in the game now, demand records have set themselves a mammoth task. to continually release music that cuts through the mounting levels of hype that surround the drum and bass scene of 2013 while retaining an edge of experimental innovativeness is no easy feat. luckily, by pushing the task onto the greatest talents of the deep, dark and creative side of the scene, the label have achieved exactly what they set out to do. drum & bass on demand 2 is a collection of darkly intelligent beats from some of the labels biggest stars, as well as some incredible new talents.

the debut album by dam swindle. it has everything you would expect from the swindles, some slow burners with a hint of disco, some deep house, some banging club monsters and hey, even some leftfield hip hop jams.

tomorrow we sail is a group of seven musicians, based in leeds, uk. formed in 2009 they have spent the past four years developing their sound into what is now a vast landscape of billowing, reverb-soaked guitars, orchestral strings, piano, organ and multi-layered vocals.

fxhe going for the professional look on this killer mix cd celebrating a decade of operations. stone-cold classics like oasis13 and the omar s remix of gunnar wendals 578 rub up against recent hits such as o.b ignitts oh jabba, sex and wayne county hill cops pt.2. vital!

eines gleich vorneweg: es bewegt gewaltig, das erste soloalbum von jonas imbery alias telonius. und das mit absicht! denn es sollte ein album voller tracks werden, die freimuetig angreifen und denen ein gewisser twist innewohnt, der unvergaenglich bleibt. eine handschrift die der muenchner in den letzten 15 jahren mit verschiedenen musikalischen projekten reifen lies. als telonius produziert er house, der keinerlei branding braucht und mehr will als eine szene-schickeria bewegen.

now, its official: alex barck is back in his home town berlin. for a whole year he lived together with his family on the small, remote island la reunion in the indian ocean. to recover from his turbulent life as a dj, as member of jazzanova, as a&r manager of sonar kollektiv, as one half of prommer & barck and as a busy record digger? far from it! now with his debut solo album in the luggage he returns back to the party capital of the world.

wenn es die letzten beiden jahren einen newcomer in der clubszene gab, der weltweit fuer ganz große furore gesorgt hat, dann war dies john talabot aus barcelona. unter seinen fans finden sich größen wie james murphy oder the xx, die den spanier für das vorprogramm ihrer diesjaehrigen nordamerika-tour ausgewaehlt haben. verglichen wurde er bereits mit leuten wie james holden, four tet oder caribou.

wenn es in den letzten beiden jahren einen newcomer in der clubszene gab, der weltweit für ganz große furore gesorgt hat, dann war dies john talabot aus barcelona. auf seine zweite single my old school , erschienen beim münchner vorzeigelabel permanent vacation, konnte sich die internationale dj-elite einigen. die tracks von john talabot sind ungeschliffen, sie basieren auf hypnotischen loops, die von einer mächtigen kickdrum vorangetrieben werden. in den vielseitigen tracks des spaniers treffen sich vielfältige einflüsse wie afro beat, detroit techno, chicago house, cosmic disco, northern soul oder auch flamenco. unter john talabots fans finden sich größen wie james murphy oder Âme. verglichen wurde er bereits mit leuten wie james holden, four tet oder caribou

when messiaen set out to transcribe birds songs as models for his compositions, he couldn t have predicted that by now wild birds would have started to learn mobile phone ringtone patterns. for a system of objects, raudive aka oliver ho maps an obliquely constructed world in which you lose all certainty of what is nature and what is design. raudive celebrates dance and auditory scenes as rituals, employing our surroundings as sources of ahistorical found sound - primitive technologies used to reach magickal states. a drum machine and a wooden stick, a sawtooth-shaped electric current and a split rock all turn into empirical objects of the same class, without a definite past or a predictable impact.

hot modern love cd compilation!